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GKO: MADHOUSE
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BATMAN OF ZUR-EN-ARRH
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J.H. WILLIAMS III INTERVIEW
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BATMAN CRIME JAZZ
Newsarama have been given the first talk with artist and writer Tony Daniel to discuss the series overall and set-up for the Batman Universe to come.
Newsarama: Now that the series has ended, Tony, how was the experience for you of writing a "big event" comic at the same time as drawing it? Glad for it to be done? Or ready to do more of this stuff?
Tony Daniel: The experience was a great one. It was great to have the opportunity to write and draw it. I didn’t think a year ago I’d be in this great situation so I’m enjoying it and making the best of the opportunity. I’m happy it’s done, but yeah, that’s mainly because I’m ready and excited to do more writing and drawing.
NRAMA: With all of your writing experience – including your successful Image series The Tenth, the other comics series you've done, and your writing for Hollywood -- how different was this series to pull off as a writer? What are the challenges of not only working with well established characters instead of your own creations, but within a shared universe where so much has to be planned for future monthly series?
TD: The main challenge was telling each issue with a different narrator, the three sons, so to speak. I was afraid it would be too jarring. They’re almost like three one-shots that make one larger story.
The other challenge was the length. It was such a big story, when you have the Black Mask sub-plot and the chaotic Gotham backdrop to throw in too. A typical story you would find in a monthly, or longer mini-series, has a bit more set up and eventual pay-offs. The different narratives and story length kept the story extremely linear. It’s really not the typical story approach. As far as coordination, I knew in the planning stages what I had to as to not paint any other writers into corners.
To read the entire interview click here...
(Source - Newsarama)
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